Thursday, April 6, 2023

Recovering the Forgotten Singer, 6: Yevgeny Nesterenko

Russian bass Yevgeny Nesterenko (1938-2021) was one of the phenomenal singers the U.S. discovered in 1975 during the first New York visit of the Bolshoi Opera. His Boris Godunov was a highlight of a several-week visit that introduced a generation of Soviet stars, among them Elena Obraztsova, Yuri Mazurok, and Vladimir Atlantov, many of whom went on to international careers.

Soon after winning a first-place prize in the 1970 Tchaikovsky competition, Nesterenko joined the Bolshoi as its leading bass. The Moscow company remained his home for three decades. At the Vienna State Opera and at La Scala he performed the principal roles of the core repertoire written for his voice type.

Nesterenko’s dark, rich timbre, the ease and strength he commands throughout his range, and the power and subtlety of his acting are fully deployed, as you will see, in the death scene of Modest Mussorgsky’s Boris Godunov. The czar’s tender farewell to his son is the inexorable denouement of this tragic history play. Our clip is drawn from a 1978 Bolshoi performance.


Here is the bass’s lyric interpretation of his Act III aria from Tchaikovsky’s Eugene Onegin. In this commercial recording the mature Prince Gremin voices the depth of his love for his young wife, Tatiana.




Nesterenko was one of the leads in La Scala’s 1978 revival of Verdi’s Don Carlo, conducted by Claudio Abbado. A recording of that production is excerpted here. The singer’s heartrending delivery of “Ella giammai m’amò (She Never Loved Me)” conveys the despair of King Philip as, alone on the stage, he comes to understand that his love for his consort, Elisabeth of Valois, has never been requited.



After his retirement from the opera stage and the concert hall, Nesterenko pursued an active teaching and scholarly schedule until his death from COVID-19.

We encourage readers of this blog who share our enthusiasm for this very great and largely forgotten artist to access YouTube clips of Nesterenko in arias by Mozart, Rossini, Borodin, Puccini, and songs by Mussorgsky, Rachmaninoff, and Shostakovich.